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31 Screams: Venetia Stevenson

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2008-10-02 07:56:00 by Arbogast von Frankenweenie in Arbogast on Film
...begs, begs for her life, reduced to a juvenile, almost infantile state by the horror of her situation And it goes on , that's the thing. It isn't quick. The camera lingers on Nan as her head turns from side to side, her dress coming undone in the struggle, exposing a rather naughty bodice (begging the question, who was this intended for?),...
 
 
 
 
 
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The Musicgoer: Pink's Funhouse

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2008-11-03 18:13:00 by Paul Matwychuk in The Moviegoer
...begs her guy not to leave her or begs him to come back. Their sexual politics are fairly retrograde, but actually Please Dont Leave Me and I Dont Believe You are two of the best songs on the disc I Dont Believe You has nothing in common with the Magnetic Fields song of the same name, but it has a heartbroken melancholy that Stephin Merritt...
 
 
 
 
 
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The Obvious News Story

2007-12-13 13:53:01 by Editor in The Watchtower of Destruction: The Ferrett's Journal
 
...begs the question of what sorts of scientific laboratories are taking their cue from rave parties. I imagine conversations going something like this Wilson! How's the spider that shoots silly string out of its ass coming along Sir, it's just not working. We're making progress on the breakdancing poodle, though And the Ecstacy-producing...
 
 
 
 
 
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The Rusty Films

2007-11-04 07:33:00 by Chris Cagle in Category D: A Film and Media Studies Blog
 
For the Love of Rusty (John Sturges, Columbia Son of Rusty (Lew Landers, Columbia The Rusty films were a series of B films (at least I'm guessing by their production values and 65m running times) that Columbia put out in the latter part of the 1940s. Generically, they're perhaps best summed up as Lassie + Andy Hardy. Rusty is a trusty German...
 
 
 
 
 
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DAY 10: Poltergeist (1982)

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2007-08-10 22:36:00 by Damian in Windmills of My Mind
...begs the further question of what a director truly does and who the real director of any film is. As one anonymous crew member has eloquently stated, if the question were simply Who yelled Action! and Cut! the most? it would be easier to answer, but the question of Who directs a film? is usually trying to determine who the main creative force...
 
 
 
 
 
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McLuhan & Revolution

2007-09-15 18:42:00 by Pacze Moj in Critical Culture
 
...begs the question: what would a forward-looking application of revolution be
 
 
 
 
 
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2007-08-07 08:25:00 by Campaspe in Self-Styled Siren
Ever have a bad week? Not a tragic week, just one-damn-thing-after-another bad? The Siren did. She is still recovering. She begs your patience
 
 
 
 
 
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Tarzan and his Mate (1934)

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2007-11-25 18:31:48 by philosopherouge in Beyond the Valley of the Cinephiles
...begs for risk, and destruction of the world around us. This is of course counteracted by Tarzans kinship, connection and understanding of the natural world. What really makes Tarzan different is that he does not know greed. Its greed and desire that fuels the other mens needs. Even human life loses value on their quest as the need for wealth...
 
 
 
 
 
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PRIVATE COLLECTIONS (JUST JAECKIN, SHUJI TERAYAMA, and WALERIAN BOROWCYZK, 1979)

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2007-07-01 23:36:00 by mike in ESOTIKA EROTICA PSYCHOTICA
...begs questions But such is the nature of a Terayama film, and this is definitely that. It works as a sort of microcosm of the themes that Terayama would explore again and again throughout his career, whether it be in film, photography, poetry, or theater. Two very dominant traits that are ever-present throughout Terayama's oeuvre relate to...
 
 
 
 
 
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Abby (1974)

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2007-11-19 18:23:00 by Greg B. in The Playground Movie Reviews
...begs him to come home and help him with some of that spiritual mojo As soon as he arrives, Abby freaks out on them and pitches a fucking hissy and runs away. They begin the search for her and Emmett hears from her on a phone booth pay phone (that's right, back in the day they had glass booths with phones in them!) and he realizes that she...