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The Wind Blows Where It Will

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2007-12-26 12:20:00 by Tucker in Unspoken Cinema
...Blows Where It Will (2007), Phillippe (played by Josh Boyle) is forced to confront the very foundations of his life. Phillipe's life is one carefully constructed of his own making. He lives a spartan existence of work, art, limited relationships, and few things. He is fastidious to an extreme. He likes to have everything in its place. He is...
 
 
 
 
 
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Jeffrey M. Anderson's 400 Screens, 400 Blows - Overlooked & Underrated

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2007-12-22 00:00:00 by Jeffrey M. Anderson in Cinematical
...Blows In the spirit of the season and goodwill and whatnot, I thought I'd forgo griping about the sorry state of things this week and instead send out some love to the downtrodden, the small films of 2007 that were somehow overlooked, underrated or outright ignored in some way. Let's start with the Russian film The Italian , released in...
 
 
 
 
 
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Jeffrey M. Anderson's 400 Screens, 400 Blows - Overlooked & Underrated, Part 2

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2007-12-30 00:00:00 by Jeffrey M. Anderson in Cinematical
...Blows I just got back from a brief Christmas holiday to the distant land of relatives and limited Internet access, so my column is just a tad late this week. Nevertheless, I'd like to pick up where I left off last week, in my celebration of those smaller films that lost their way in 2007, either misunderstood, or misjudged, or just never...
 
 
 
 
 
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Jeffrey M. Anderson's 400 Screens 400 Blows: Overlooked and Underrated - Part III

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2008-01-03 00:00:00 by Jeffrey M. Anderson in Cinematical
...Blows Here in the dawn of the New Year, I'm still nursing my holiday hangover, so I'm going to finish up with my three-part Overlooked and Underrated series of columns, starting with Julian Jarrold's Becoming Jane , a fictitious biographical romance about Jane Austen (Anne Hathaway). It garnered unfavorable comparisons to Shakespeare in Love...
 
 
 
 
 
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Jeffrey M. Anderson's 400 Screens, 400 Blows - Second Sight

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2008-01-10 00:00:00 by Jeffrey M. Anderson in Cinematical
...Blows Last month the honorable task fell to me to review two of the year's most anticipated movies for Cinematical , Francis Ford Coppola's Youth Without Youth (9 screens) and Paul Thomas Anderson's There Will Be Blood (51 screens). In retrospect and with a comfortable critical consensus in place, moviegoers can easily see that Youth Without...
 
 
 
 
 
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Jeffrey M. Anderson's 400 Screens 400 Blows - The Fate of Family Films

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2008-01-17 00:00:00 by Jeffrey M. Anderson in Cinematical
...Blows In the winter of 1990, audiences had all kinds of acclaimed, or at least halfway decent, movies to choose from. Yet when all the smoke cleared, it was Home Alone that had captured the box office. What's more, it kept on capturing the box office, for months. The wags of the time wrote hundreds of column inches trying to figure out why...
 
 
 
 
 
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Jeffrey M. Anderson's 400 Screens, 400 Blows - The Oscar Grouch

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2008-01-25 00:00:00 by Jeffrey M. Anderson in Cinematical
...Blows As my wife said, it's just not the Oscars if there's nothing to complain about. However, I was impressed that two of the year's toughest films, Paul Thomas Anderson's There Will Be Blood (389 screens) and Joel and Ethan Coen's No Country for Old Men took the most nominations. Typically, the Academy is attracted to much less challenging...
 
 
 
 
 
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Jeffrey M. Anderson's 400 Screens 400 Blows - Every Picture Tells a Story

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2008-01-30 00:00:00 by Jeffrey M. Anderson in Cinematical
...Blows I just started working the new spring semester as a graduate assistant for a cinema studies course. The professor has divided the semester up into two categories: image and story. This very simple division explains a lot about the movies and the way we think about them. Most people consider movies as stories, and that's it. They...
 
 
 
 
 
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Jeffrey M. Anderson's 400 Screens, 400 Blows - Foreign Matters

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2008-02-07 00:00:00 by Jeffrey M. Anderson in Cinematical
...Blows Call me an optimist, but I'm always hoping for Oscar reform. I've been rather excited about recent rumblings that the Academy is finally, finally considering changing its rules regarding foreign film consideration. I saw one of the new nominees last week, The Counterfeiters , and I have to say that there were at least 20 or 30 other,...